Auto Accidents Lawsuits New Orleans Lyrics – Elvis Costello performs on the Sprint/Sanyo Stage at the New Orleans Jazz and Heritage Festival on Saturday, April 30, 2005. (Photo by Brett Duke | The Times-Picayune Archive)
Elvis Costello Gentili is on stage during the first day of the second weekend of the New Orleans Jazz & Heritage Festival presented by Shell, Thursday, April 29, 2010. (Photo by David Grunfeld | Times-Picayune Archive)
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At 4:30 p.m., Elvis Costello adjusts his tie before heading back to the Acura Stage for an encore with Ellen Toussaint during the New Orleans Jazz & Heritage Festival, Sunday, 4:30 p.m., April 30, 2006. (Photo by David ) Grunfeld, | The Times-Picayune Archive)
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Troy “Trombone” Shorty and Elvis Costello (Photo by Nijme Rinaldi Nunn, New Orleans Artists Against Hunger and Homelessness)
Elvis Costello and Alan Toussaint performed together at the House of Blues on July 18, 2006. (Photo by Ted Jackson | Times-Picayune Archives)
Elvis Costello is Alan Toussaint’s special guest as he points to the piano Toussaint is playing on the Acura Stage during the 37th annual New Orleans Jazz Fest, Sunday, April 30, 2006. (Photo by David Grunfeld | Times-Picayune Archive)
Elvis Costello is the special guest of Alan Toussaint as he plays the piano during The Toussaint Is Jamming on the Acura Stage during the 37th annual New Orleans Jazz Fest, Sunday, April 30, 2006. (Photo by David Grunfeld | Times-Picayune Archive)
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Troy “Trombone” Shorty and Elvis Costello perform ‘On Your Way Down’ during a benefit concert/tribute at Harrah’s New Orleans Theater on Tuesday, April 30, 2013. ), non-profit organization founded in 1985 by Toussaint and Aaron Neville is. The show celebrates Toussaint’s 75th birthday, and his legacy as a Rock ‘n’ Roll Hall of Fame inductee songwriter, producer and pianist. Elvis Costello, Dr. John, Irma Thomas, John Cleary, Cyril Neville, Deacon John, Joe Stampley and producer/composer Joe Henry are among the performers. (Photo by David Grunfeld | Times-Picayune Archive)
Elvis Costello and Alan Toussaint perform ‘The Greatest Love’ during a benefit concert/tribute to Alan Toussaint at Harrah’s Theater in New Orleans on Tuesday, April 30, 2013. The organization was founded in 1985 by Toussaint and Aaron Neville. The show celebrates Toussaint’s 75th birthday and his legacy as a Rock ‘n’ Roll Hall of Fame inductee songwriter, producer and pianist. Elvis Costello, Dr. John, Irma Thomas, John Cleary, Cyril Neville, Deacon John, Joe Stampley and producer/composer Joe Henry are among the performers. (Photo by David Grunfeld | Times-Picayune Archive)
Elvis Costello and Dave Bartholomew after a benefit concert/tribute to Allan Toussaint at Harrah’s New Orleans Theater on Tuesday, April 30, 2013. Co-founded in 1985. The show celebrates Toussaint’s 75th birthday, he turns 75 on January 14, and his legacy as a Rock ‘n’ Roll Hall of Fame inductee songwriter, producer and pianist. Elvis Costello, Dr. John, Irma Thomas, John Cleary, Cyril Neville, Deacon John, Joe Stampley and producer/composer Joe Henry are among the performers. (Photo by David Grunfeld | Times-Picayune Archive)
British rock star Elvis Costello, left, jokes with New Orleans Allen Toussaint as he plays the song “St. James Infirmary” as Costello accompanies him during a recording session Thursday, Dec. 8, 2005, at Pittie Street Recording in Bywater. Let’s Sing (Photo by Chris Granger | The Times-Picayune Archive)
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Where is the heart of a pop song, in the hands of the full band that originally recorded it or stripped down to its barest vocal and solo instrumental accompaniment? Elvis Costello is such an affable showman that he never made such a question part of his show, but his performance Thursday (March 12) at the Civic Theater in New Orleans gave reason to ponder the answer.
Except for a handful of songs he sang with Alan Toussaint, a memorable stretch of a night that featured a bunch of them, Costello appeared on stage alone, accompanying himself on guitar and piano. While the British rocker rose to prominence alongside the first wave, with whom he shared a case of righteous anger, he has always been more songwriter than agitator. Costello’s New Orleans show served as a reminder that he was one of the few punk-era songwriters whose catalog could fuel campfire sing-alongs.
Dressed in a dark suit and a hat he could pick up from past Mayor the Hatter, Costello opened with a trio of songs – “(Angels Wanna Wear My) Red Shoes”, “Blue Minutes” and “Watch Your Step” – originally recorded with the Attractions, his inimitable backing band in the 1970s and ’80s. Each differs in tempo and tone from its original recording. But limited to Costello’s voice and thumb-stripping acoustic guitar, the songs evoke such strong memories that it was hard not to wish the charmers, bar rockers with whip-snap R&B chops, would emerge from behind the scenes.
Costello’s case for tighter arrangements grew stronger with each passing song in the more than two-hour set. He spent time as a talk show host, and some of his between-song banter was worth the price of admission alone. “Accidents Will Happen” was prefaced by a long anecdote about the New Mexico cab driver he claimed inspired it.
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Costello stood in front of a large replica of an old television set, the screen of which broadcast images of classic 45 singles and famous musicians, many of them from New Orleans. “That’s rock ‘n’ roll, right there,” he said, pointing to a large photo of New Orleans drummer Earl Palmer. He then launched into “Poison Rose,” a Costello song from the mid-’80s, played by Palmer strangling his hollow-body electric guitar.
By the time Costello walked to the piano mid-set, the sold-out crowd was his. A version of “I Can’t Stand to Fall Down” had the audience tapping on their heels. In the hands of Attraction, a stuttering sound clocking in at less than two minutes, Costello focuses the song on its intense lyrics (“I’m the living result / Of a man who’s been hurt a little too much”), stretching it’s a showcase for a bluesy vocal performance that owes a little too much to gospel.
From then on, each song drew more applause than the one before. Costello’s fiery rendition of “The River in Rivers,” the title track of the 2006 Katrina album he recorded with Toussaint at Pity Studios in New Orleans, teased the New Orleans songwriter and piano man’s final appearance. Costello later said of Toussaint, “He’s very shy and retiring, to be my special guest for the evening.”
The pair played loose effectively, especially on “Ascension Day”. Their love for each other was never more evident than when Costello backed Toussaint to lead “Who’s Gonna Help Brother Get Forward” to serve as a guitar sideman at his own show. In short, there was content.
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The concert ended as Toussaint and Costello left the stage, with the older musician saying of his friend’s post-Katrina advocacy, “There was nobody on the planet who cared more about New Orleans than this guy.”
And then Costello came back, first to nail “Alison,” perhaps his biggest hit, which seemed to give him and the crowd a second wind. “Pump It Up”, with Costello throwing his fists at its electric chords, was originally raw, impossibly raw.
It felt like a fitting end, but the songs kept coming: Van Morrison’s “Jackie Wilson Said (I’m in Heaven When You Smile),” a moving, skeletal version of “Shabby Doll.” And then, finally, “(What’s So Funny ‘Bout) Peace, Love and Understanding,” more or less sang along with the crowd. Costello blew air kisses on his way off the stage. Lil Wayne in New Orleans: Hot Boys, History and Homecoming: The Record Show was improbable and in-house—a slate of cameos reflecting the city’s tradition of bounce music and Cash Money Records—and its frontrunner was a local superstar who shared the stage has. Was happy
In Lil Wayne’s career spanning more than 20 years, the frog-voiced, diminutive rapper has rarely been described as an elder statesman. But as he wrapped up a nearly three-hour set at Friday’s Lil Vieziana Fest, a show was fittingly held at Champions Square, the outdoor plaza next to the Mercedes-Benz Superdome to commemorate the Saints’ Super Bowl-winning 2009 team . , the dreaded artist just scored his biggest pop hits with songs like “Lollipop” and “Love Me” that made him a bankable headliner around the world. They hadn’t performed in their hometown for nearly six years and the showcase of the same name, celebrating the ten-year anniversary of Hurricane Katrina, was billed as Homecoming, an official reunion.
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